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WORKSHOPS 2006

HISTORY OF THE TAROT - A JOURNEY INTO ARCHETYPAL SYMBOLISM

EXPLORING UNCONSCIOUSNESS - THE TREASURES OF IMAGINAL ALCHEMY

YOUR ASTROLOGICAL CHART

BEAUTY,TEXTURE AND CREATIVITY


HISTORY OF THE TAROT

A JOURNEY INTO ARCHETYPAL SYMBOLISM

Samten de Wet - CAPE TOWN

Though there are early references to playing cards from the 13th century, the Tarot or Tarocchi, emerged fully fledged in three Northern Italian cities of Milan, Mantua and Ferarra, in about 1460.

In its subsequent 460 years of history, the Tarot became an integral aspect of the Western Esoteric Tradition.

This Workshop will explore the origin of the archetypal symbolism of the Tarot in the Mythology and Mystery Traditions of ancient civilizations up to the Renaissance and modern times.

12 sessions

EMAIL

Venue to be announced.


EXPLORING UNCONSCIOUSNESS

The Treasures of Imaginal Alchemy

Exploring Consciousness is a noble and fitting concept. Considering, that is, a concept according to Buddhist principles, is a stable structure at the end of a process. Seeing we all agree on process instead of structure, it remains to be seen if we can move beyond the concept, into the process.

Therefore it is of some interest, that the 'structure' of exploring consciousness, as an action pattern, makes no mention of the equally vital process of Exploring the Unconsciousness.

                  C.G. Jung supplies us with this useful analogy:

"…we have then to describe and explain a building the upper story of which was erected in the nineteenth century, the ground floor dates from the sixteenth century, and a careful examination of the masonry discloses the fact that it was reconstructed from a dwelling-tower of the eleventh century. In the cellar we discover Roman foundation walls, and under the cellar a filled-in cave, in the floor of which stone tools are found, and remnants of glacial fauna in the layers below. That would be a sort of picture of our own mental structures. We live in the upper storey, and are only dimly aware that our lower storey is somewhat old-fashioned. As to what lies beneath the superficial crust of the earth we remain quite unconscious…"

C.G. Jung, in an essay entitled 'Mind and the Earth' .

This analogy, as James Henderson points out, is vertical. It brings to mind the Hermetic paradigm of 'As Above, So Below'. The 'Below' of this paradigm, the "…superficial crust of the earth.." the"…unconscious.." is in Classical Symbolism and Mythology, the Realm of Pluto. As the Realm of the Death, Hades, it is also the ancestral domain, a zone beautifully expressed in Traditional African Religion as the Home of the Ancestors.

The Hermetic equation Pluto=Unconsciousness, has been well documented, and is represented in some systems as a source of great wealth or treasure, more often than not, guarded by a Dragon, or some such similar Dweller on the Threshold. Therefore, Exploring Unconsciousness, is also a way of saying that we are delving deeply into our ancestral heritage. This act of delving, is also expressed as the technique of mining, for the dwarfs, so dear to the fairy tales of children, are miners and workers with fire, metal and precious stones. And mining of course, takes us straight to the great family of Alchemical Symbols, necessary tools in any exploration of the unconsciousness.

"The primordial image or archetype is a figure, whether it be a daemon, man or process, that repeats itself in the course of history whenever creative fantasy is freely manifested. Essentially, therefore, it is a mythological figure. If we subject these images to a closer investigation, we discover them to be the formulated resultants of countless typical experiences of our ancestors." 

C.G. Jung. 

{Quoted in James L. Henderson, The Jungian Interpretation of History and Its Educational Implications, in: Papadopoulos, Renos K and Saayman, G., Jung in Modern Perspective, p. 249.]

By analogy, there is an interesting natural phenomena that describes the above, symbolically, and that is coral. Coral, literally lives on top of the shells of its dead ancestors, its past 'selves.'

These few words, in desperate need of amplification, can act as an invitation to attend a small workshop during this year. 

Venue to be decided upon.

Yours sincerely

Samten de Wet.

EMAIL


YOUR ASTROLOGICAL CHART

 

I would like to cast your astrological chart, and offer an interpretation thereof. This service will not be free. Partly, because I have to start building up equipment and resources for the work mentioned above,  and for the Journal  that is being planned, plus to cover the costs of Internet connection, telephone bills and so on.

The ASTROLOGICAL CHART, will also include wonderful material,  sent as email attachments, relevant to your situation, resources for researching and amplifying your archetypal planets and so forth.

I am sure it will be of benefit and of interest. There is a great wealth of resources on my hard drive, which has now gone into over one gigabyte!  The donation for this ongoing service will be R120, which is a mere pittance! If you are interested contact me for the method of payment and details for the next stage of the process. If you already have your Chart, then an interpretation applies.

I have been holding back on a lot of material that I want to publish to the Web, which will be done as soon as possible. Another idea, freshly arrived in a QUESTIONS AND ANSWERS page. Many friends ask me questions, usually about matters esoteric. If I cannot answer these questions, we can see if others on the list would like to do so.

Contributions for The Journal are also welcome, artwork, writing etc. 

Yours sincerely,   Samten de Wet.

EMAIL


BEAUTY,TEXTURE AND CREATIVITY

A WORKSHOP

 Samten de Wet 

"...to speak of the beautiful is to lift the major repression of the day."

James Hillman  [Hillman, James, And Huge is Ugly, Shumacher Lecture, Resurgence, No.134. ]

In this workshop we will look at the theory of Beauty and Aesthetics, concentrating on TEXTURE. We will use the Mandala Form, starting with collage and leading to mixed media. One hour of theory will be followed by 2 hours of practical work. Students will be expected to work at home - and submit a completed piece at the end of the project - which we hope will be exhibited in a group installation in September.

The Theory will be based on two papers by the Post-Jungian, Dr.James Hillman, and some material on aesthetics from the Nyingmapa School of Tibetan Buddhism.

 FOR THE FIRST LESSON - PLEASE BRING:

. A pile of high quality, glossy magazines to cut up for collage. . Scissors and wood glue (Alcolin etc.) . A mirror, not smaller than 20 cm X 15 CM. . A4 or/and A3 paper. . A good ruler.  Notebook for notes, pens, pencils, ink, pastels or any other material, as prefered.

VENUE & TIME  to BE DECIDED.